I watch him pouring linseed oil in
silly little cups, proposing
to hold his brush just so. The fruit
sits before him on my table like
a meal noone will eat, dishes
arranged among an army of old T-shirts.
The pear garners the most attention.
Its label is the more garish of those assembled
at the lip of a platter last used for cake.
With each squeeze of the tubes
he makes another earth-tone on his
glass horizon; the knife he holds
is dull, more a pie-server than a blade,
a spatula to spread the mortar
that holds his world together. A world
of fruit. This is the fruit
that revels against a gray background,
parties onto the canvas like animals
in a circus, a riotous still-life
moving only in his mind, a fruitful mind
with no labels and very little oil.
1-1-2000